Javier Vázquez Delgado recomienda: Nominados a los Premios Eisner 2021

Aquí tenemos los nominados a los premios Eisner de este año:

Mejor Historia Corta

– “Garden Boys” por Henry McCausland, en Now #8 (Fantagraphics)
– “I Needed the Discounts” por Connor Willumsen, en The New York Times (January 3, 2020)
– “Parts of Us,” por Chan Chau, en Elements: Earth, A Comic Anthology by Creators of Color (Ascend Press)
– “Rookie,” por Greg Rucka and Eduardo Risso, en Detective Comics #1027 (DC)
– “Soft Lead,” por Chan Chau, https://ift.tt/3gdiiMN
– “When the Menopausal Carnival Comes to Town,” por Mimi Pond, en Menopause: A Comic Treatment (Graphic Medicine/Pennsylvania State University Press)

Mejor número auto-conclusivo

– The Burning Hotels, por Thomas Lampion (Birdcage Bottom Books)
– Hedra, porJesse Lonergan (Image)
– The Other History of the DC Universe #1, por John Ridley y Giuseppe Camuncoli (DC)
– Sports Is Hell, por Ben Passmore (Koyama Press)
– Stanley’s Ghost: A Halloween Adventure, por Jeff Balke, Paul Storrie, y Dave Alvarez (Storm Kids)

Mejor serie regular

– Bitter Root, por David F. Walker, Chuck Brown, y Sanford Greene (Image)
– Daredevil, por Chip Zdarsky y Marco Checchetto (Marvel)
– The Department of Truth, por James Tynion IV y Martin Simmonds (Image)
– Gideon Falls, por Jeff Lemire y Andrea Sorrentino (Image)
– Stillwater, por Chip Zdarsky y Ramón K Pérez (Image/Skybound)
– Usagi Yojimbo, por Stan Sakai (IDW)

Mejor serie limitada

– Barbalien: Red Planet, por Jeff Lemire, Tate Brombal, y Gabriel Hernandez Walta (Dark Horse)
– Decorum, por Jonathan Hickman y Mike Huddleston (Image)
– Far Sector, por N. K. Jemisin y Jamal Campbell (DC)
– Strange Adventures, por Tom King, Mitch Gerads, y Evan “Doc” Shaner (DC Black Label)
– Superman’s Pal Jimmy Olsen, por Matt Fraction y Steve Lieber (DC)
– We Live, por Inaki Miranda y Roy Miranda (AfterShock)

Mejor serie nueva

– Black Widow, por Kelly Thompson y Elena Casagrande (Marvel)
– Crossover, por Donny Cates y Geoff Shaw (Image)
– The Department of Truth, por James Tynion IV y Martin Simmonds (Image)
– Killadelphia, por Rodney Barnes y Jason Shawn Alexander (Image)
– We Only Find Them When They’re Dead, por Al Ewing y Simone Di Meo (BOOM! Studios)

Mejor publicacion infantil (hasta 8 años)

– Bear, por Ben Queen y Joe Todd-Stanton (Archaia/BOOM!)
– Cat Kid Comic Club, por Dav Pilkey (Scholastic Graphix)
– Donut Feed the Squirrels, por Mika Song (RH Graphic/RH Children’s Books)
– Kodi, por Jared Cullum (Top Shelf)
– Lift, por Minh Lê and Dan Santat (Little, Brown Young Readers)
– Our Little Kitchen, por Jillian Tamaki (Abrams Books for Young Readers)

Mejor publicacion infantil (9-12 años)

– Doodleville, por Chad Sell (Knopf/BFYR/RH Children’s Books)
– Go with the Flow, por Lily Williams y Karen Schneemann (First Second/Macmillan)
– Mister Invincible: Local Hero, por Pascal Jousselin (Magnetic Press)
– Snapdragon, por Kat Leyh (First Second/Macmillan)
– Superman Smashes the Klan, por Gene Luen Yang y Gurihiru (DC)
– Twins, por Varian Johnson y Shannon Wright (Scholastic Graphix)

Mejor publicación juvenil (13-17 años)

– Check, Please! Book 2: Sticks & Scones, por Ngozi Ukazu (First Second/Macmillan)
– Displacement, por Kiku Hughes (First Second/Macmillan)
– Dragon Hoops, por Gene Luen Yang (First Second/Macmillan)
– Fights: One Boy’s Triumph Over Violence, por Joel Christian Gill (Oni Press)
– A Map to the Sun, por Sloane Leong (First Second/Macmillan)
– When Stars are Scattered, por Victoria Jamieson y Omar Mohamed (Dial Books)

Mejor publicación humorística

– The Complete Fante Bukowski, por Noah Van Sciver (Fantagraphics)
– Department of Mind-Blowing Theories, por Tom Gauld (Drawn & Quarterly)
– FANGS, por Sarah Andersen (Andrews McMeel)
– Wendy, Master of Art, por Walter Scott (Drawn & Quarterly)
– Superman’s Pal Jimmy Olsen, por Matt Fraction y Steve Lieber (DC)
– What If We Were . . ., por Axelle Lenoir (Top Shelf)

Mejor antología

– Ex Mag, vols. 1–2, edited by Wren McDonald (PEOW)
– Guantanamo Voices: True Accounts from the World’s Most Infamous Prison, edited by Sarah Mirk (Abrams)
– Hey, Amateur! Go From Novice to Nailing It in 9 Panels, edited and curated by Shelly Bond (IDW Black Crown)
– Los Angeles Times, edited by Sammy Harkham (NTWRK)
– Menopause: A Comic Treatment, edited by MK Czerwiec (Graphic Medicine/Pennsylvania State University Press)
– Now, edited by Eric Reynolds (Fantagraphics)

Mejor obra basada en realidad

– Big Black: Stand at Attica, by Frank “Big Black” Smith, Jared Reinmuth, and Améziane (Archaia/BOOM!)
– Dragon Hoops, by Gene Luen Yang (First Second/Macmillan)
– Invisible Differences: A Story of Asperger’s, Adulting, and Living a Life in Full Color, by Mme Caroline and Julie Dachez, translation by Edward Gauvin (Oni Press)
– Kent State: Four Dead in Ohio, by Derf Backderf (Abrams)
– Paying the Land, by Joe Sacco (Metropolitan/Henry Holt)
– Year of the Rabbit, by Tian Veasna, translation by Helge Dascher (Drawn & Quarterly)

Mejor álbum gráfico (nuevo)

– The Book Tour, by Andi Watson (Top Shelf)
– Dragman, by Steven Appleby (Metropolitan)
– Flake, by Matthew Dooley (Jonathan Cape)
– Labyrinth, by Ben Argon (Abrams)
– Paul at Home, by Michel Rabagliati, translation by Helge Dascher and Rob Aspinall (Drawn & Quarterly)
– Pulp, by Ed Brubaker and Sean Phillips (Image)

Mejor adaptación de otro medio

– Constitution Illustrated, by R. Sikoryak (Drawn & Quarterly)
– Parable of the Sower: The Graphic Novel Adaptation, by Octavia E. Butler, adapted by Damian Duffy and John Jennings (Abrams)
– Sapiens: A Graphic History: The Birth of Mankind, vol. 1, by Yuval Noah Harari, adapted by David Vandermeulen and Daniel Casanave (Harper Perennial)
– Slaughterhouse-Five, by Kurt Vonnegut, adapted by Ryan North and Albert Monteys (Archaia/BOOM!)
– Superman Smashes the Klan, adapted by Gene Luen Yang and Gurihiru (DC)

Mejor álbum gráfico (reimpresión)

– Black Hammer Library Edition, vol. 2, by Jeff Lemire, Dean Ormstom, Emi Lenox, and Rich Tommaso (Dark Horse)
– Criminal Deluxe Edition, vol. 3, by Ed Brubaker and Sean Phillips (Image)
– Eight-Lane Runaways, by Henry McCausland (Fantagraphics)
– Fante Bukowski: The Complete Works, by Noah Van Sciver (Fantagraphics)
– Herobear and the Kid: The Heritage, by Mike Kunkel (Astonish Factory)
– Seeds and Stems, by Simon Hanselmann (Fantagraphics)

Mejor edición norteamericana de material internacional

– Altitude, by Olivier Bocquet and Jean-Marc Rochette, translation by Edward Gauvin (SelfMadeHero)
– Gamayun Tales I: An Anthology of Modern Russian Folk Tales, by Alexander Utkin, translation by Lada Morozova (Nobrow)
– Goblin Girl, by Moa Romanova, translation by Melissa Bowers (Fantagraphics)
– Irena Books 2-3, by Jean-David Morvan, Severine Tréfouël, and David Evrard, translation by Dan Christensen (Magnetic Press)
– When You Look Up, by Decur, translation by Chloe Garcia Roberts (Enchanted Lion Books)
– The Winter of the Cartoonist, by Paco Roca, translation by Erica Mena (Fantagraphics)

Mejor edición norteamericana de material internacional (Asia)

– I Had That Same Dream Again, by Yoru Sumino and Idumi Kirihara, translation by Beni Axia Conrad (Seven Seas)
– I Wish I Could Say “Thank You,” by Yukari Takinami, translation by Yukari Takeuchi (Fanfare/Ponent Mon)
– A Journal Of My Father, by Jiro Taniguchi, translation by Kumar Sivasubramanian (Fanfare/Ponent Mon)
– Ping Pong, vols. 1–2, by Taiyo Matsumoto, translation by Michael Arias (VIZ Media)
– Remina, by Junji Ito, translation by Jocelyne Allen (VIZ Media)
– Spy x Family, vols. 1–3, by Tatsuya Endo, translation by Casey Loe (VIZ Media)

Mejor colección o proyecto de archivo de tiras de prensa

– The Flapper Queens: Women Cartoonists of the Jazz Age, edited by Trina Robbins (Fantagraphics)
– Gross Exaggerations: The Meshuga Comic Strips of Milt Gross, by Milt Gross, edited by Peter Maresca (Sunday Press/IDW)
– Krazy & Ignatz 1919-1921 by George Herriman, edited by RJ Casey (Fantagraphics)
– Little Debbie and the Second Coming of Elmo: Daily Comic Strips, August 1960–September 1961, by Cecil Jensen, edited by Frank Young (Labor of Love)
– Pogo The Complete Syndicated Comic Strips: Volume 7: Clean as a Weasel, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)

Mejor colección o proyecto de archivo de tiras de cómic

– Art Young’s Inferno, by Art Young, edited by Glenn Bray (Fantagraphics)
– Atlas at War! edited by Michael J. Vassallo (Dead Reckoning)
– The Complete Hate, by Peter Bagge, edited by Eric Reynolds (Fantagraphics)
– Corto Maltese: The Ballad of the Salty Sea, by Hugo Pratt, translation by Dean Mullaney and Simone Castaldi (EuroComics/IDW)
– Little Lulu: The Fuzzythingus Poopi, by John Stanley, edited by Frank Young and Tom Devlin (Drawn & Quarterly)
– Man and Superman and Other Stories, by Harvey Kurtzman, edited by J. Michael Catron (Fantagraphics)

Mejor guionista

– Ed Brubaker, Pulp, Reckless (Image); Friday (Panel Syndicate)
– Matt Fraction, Superman’s Pal Jimmy Olsen (DC); Adventureman, November vols. 2–3, Sex Criminals (Image)
– Jonathan Hickman, Decorum (Image); Giant-Size X-Men, X-Men OTHERS?? (Marvel)
– Jeff Lemire, Barbalien, Black Hammer, Colonel Weird: Cosmagog (Dark Horse); The Question: The Deaths of Vic Sage (DC Black Label); Family Tree, Gideon Falls (Image)
– James Tynion IV, Something Is Killing the Children, Wynd (BOOM! Studios); Batman (DC); The Department of Truth (Image); Razorblades (Tiny Onion)
– Chip Zdarsky, Stillwater (Image/Skybound), Daredevil, Fantastic Four/X-Men (Marvel)

Mejor guionista/dibujante (autor completo)

– Junji Ito, Remina, Venus in the Blind Spot (VIZ Media)
– Pascal Jousselin, Mister Invincible: Local Hero (Magnetic Press)
– Trung Le Nguyen, The Magic Fish (RH Graphic/RH Children’s Books)
– Craig Thompson, Ginseng Roots (Uncivilized)
– Adrian Tomine, The Loneliness of the Long-Distance Cartoonist (Drawn & Quarterly)
– Gene Luen Yang, Dragon Hoops (First Second/Macmillan)

Mejor dibujante o equipo de dibujante y entintador

– Michael Allred, Bowie: Stardust, Rayguns & Moonage Daydreams (Insight Editions)
– Marco Chechetto, Daredevil (Marvel)
– Jorge Corona, Middlewest (Image)
– Bertrand Gatignol, Pistouvi (Magnetic Press)
– Mitch Gerads/Evan “Doc” Shaner, Strange Adventures (DC Black Label)
– Sanford Greene, Bitter Root (Image)

Mejor dibujante multimedia

– Benjamin Adam, Soon (Europe Comics)
– Alice Chemama, The Zolas (Europe Comics)
– Jared Cullum, Kodi (Top Shelf)
– Decur, When You Look Up (Enchanted Lion Books)
– Antonio Lapone, Gentlemind (Europe Comics)
– Anand RK/John Pearson, Blue in Green (Image)

Mejor portadista

– Jamal Campbell, Mighty Morphin Power Rangers (BOOM! Studios); Far Sector (DC)
– Simone Di Meo, We Only Find Them When They’re Dead (BOOM! Studio)
– Mike Huddleston, Decorum (Image)
– Dave Johnson, Butcher of Paris (Dark Horse)
– Peach Momoko, Buffy the Vampire Slayer #19, Mighty Morphin #2, Something Is Killing the Children #12, Power Rangers #1 (BOOM! Studios); DIE!namite, Vampirella (Dynamite); The Crow: Lethe (IDW); Marvel Variants (Marvel
– Ramón K. Pérez, Stillwater (Image/Skybound)

Mejor colorista

– Laura Allred, X-Ray Robot (Dark Horse); Bowie: Stardust, Rayguns & Moonage Daydreams (Insight Editions)
– Jean-Francois Beaulieu, Middlewest (Image)
– Gipi, One Story (Fantagraphics)
– Marte Gracia, Empyre, X of Swords (Marvel)
– Dave Stewart, Promethee 13:13 (comiXology); Black Hammer (Dark Horse); Gideon Falls (Image); Spider-Man #4-#5 (Marvel)
– Matt Wilson, Undiscovered Country (Image); Fire Power (Image/Skybound); Thor (Marvel)

Mejor rotulista

– Mike Allred, Bowie: Stardust, Rayguns & Moonage Daydreams (Insight Editions)
– Deron Bennett, Bear, The Sacrifice of Darkness (Archaia); King of Nowhere, Something Is Killing the Children, We Only Find Them When They’re Dead (BOOM! Studios); Far Sector, Harley Quinn: Black + White + Red, Martian Manhunter (DC); Excellence (Image/Skybound); A Dark Interlude, Dark One, Relics of Youth, Resonant, Shadow Service, Vampire: The Masquerade: Winter’s Teeth (Vault); Ping Pong (VIZ Media)
– Aditya Bidikar, Barbalien: Red Planet, Grafity’s Wall Expanded Edition (Dark Horse); John Constantine, Hellblazer (DC); A Map to the Sun (First Second); The Department of Truth, Lost Soldiers (Image); Giga, The Picture of Everything Else (Vault)
– Clayton Cowles, Aquaman, Batman, Batman and the Outsiders, Strange Adventures, Superman: Man of Tomorrow, Superman’s Pal Jimmy Olsen (DC); Adventureman, Bitter Root, Bog Bodies, Die (Image); Reaver (Image/Skybound); Morbius, X Of Swords (Marvel)
– Stan Sakai, Usagi Yojimbo (IDW)
– Rus Wooton, Wonder Woman: Dead Earth (DC); Decorum, Monstress (Image); Die!Die!Die!, Fire Power, Oblivion Song, Outcast, Stillwater (Image/Skybound)

Mejor publicación periódica o periodística relacionada con los cómics

– Alter Ego, edited by Roy Thomas (TwoMorrows)
– Back Issue, edited by Michael Eury (TwoMorrows)
– The Comics Blog, by Michael Cavna and David Betancourt, https://ift.tt/2HfaWHS
– The Comics Journal, edited by RJ Casey, Kristy Valenti, and Gary Groth (Fantagraphics)
– PanelxPanel magazine, edited by Hassan Otsmane-Elhaou, PanelxPanel.com
– Women Write About Comics, edited by Nola Pfau and Wendy Browne, https://ift.tt/3x687iz

Mejor libro relacionado con los cómics

– American Daredevil: Comics, Communism, and the Battles of Lev Gleason, by Brett Dakin (Comic House/Lev Gleason)
– Ditko Shrugged: The Uncompromising Life of the Artist Behind Spider-Man and the Rise of Marvel Comics, by David Currie (Hermes Press)
– Drawing Fire: The Editorial Cartoons of Bill Mauldin, edited by Todd DePastino (Pritzker Military Museum & Library)
– The History of EC Comics, by Grant Geissman (TASCHEN)
– Invisible Men: The Trailblazing Black Artists of Comic Books, by Ken Quattro (Yoe Books/IDW)
– Masters of British Comic Art, by David Roach (2000AD)

Mejor libro académico educaciónal de cómics

– Comic Art in Museums, edited by Kim A. Munson (University Press of Mississippi)
– Comic Studies: A Guidebook, edited by Charles Hatfield and Bart Beaty (Rutgers University Press)
– The Content of Our Caricature: African American Comic Art and Political Belonging, by Rebecca Wanzo (New York University Press)
– Webcomics, by Sean Kleefeld (Bloomsbury)
– Who Understands Comics: Questioning the Universality of Visual Language Comprehension, by Neil Cohn (Bloomsbury)

Mejor diseño de publicación

– Chasin’ the Bird: Charlie Parker in California deluxe edition, designed by David Chisholm and Tyler Boss (Z2 Comics)
– Dbury@50: The Complete Digital Doonesbury, by G.B. Trudeau, designed by George Corsillo and Susan McCaslin (Andrews McMeel)
– J & K, designed by John Pham (Fantagraphics)
– The Loneliness of the Long-Distance Cartoonist, designed by Adrian Tomine and Tracy Huron (Drawn & Quarterly)
– Original Art: The Dan Clowes Studio Edition, designed by Daniel Clowes (Fantagraphics)

Mejor Webcomic

– BFF, by Clément C. Fabre, Joseph Saffiedine, and Thomas Cadène, translation by Emma Wilson, https://ift.tt/2TavCZ4
– Crisis Zone, by Simon Hanselmann, https://ift.tt/3pDWfSv
– DPS! Only, by Vel, https://ift.tt/3pBOFYp
– Isle of Elsi, by Alec Longstreth, https://ift.tt/3wbzOGq
– The Kiss Bet, by Ingrid Ochoa, https://ift.tt/3gk3T01
– The Middle Age, by Steve Conley, middleagecomic.com

Mejor cómic digital

– Friday, by Ed Brubaker and Marcos Martin (Panel Syndicate)
– Genius Animals? by Vali Chandrasekaran and Jun-Pierre Shiozawa, geniusanimals.net
– Gentlemind, by Juan Díaz Canales, Teresa Valero, and Antonio Lapone, translation by Jeremy Melloul (Europe Comics)
– Promethee 13:13, by Andy Diggle and Shawn Martinbrough (comiXology Originals/Delcourt)
– Olive, by Véro Cazot and Lucy Mazel, translation by Jessie Aufiery (Europe Comics)
– Soon, by Thomas Cadène and Benjamin Adam, translation by Margaret Besser (Europe Comics)

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