Javier Vázquez Delgado recomienda: Nominados a los Premios Eisner 2023

Os presentamos a los recién anunciados nominados a los Premios Eisner de este año, con mucho nombre español, ahora toca esperar hasta la ceremonia que se realizará el 21 de julio.

Mejor Historia Corta

– “The Beekeeper’s Due,” por Jimmy Stamp y Débora Santos, en Scott Snyder Presents: Tales from the Cloakroom (Cloakroom Comics)
– “Finding Batman” por Kevin Conroy y J. Bone en DC Pride 2022 (DC)
– «Good Morning,» por Christopher Cantwell y Alex Lins, en Moon Knight: Black, White & Blood #4 (Marvel)
– “Silent All These Years,” por Margaret Atwood y David Mack, en Tori Amos: Little Earthquakes (Z2)
– “You Get It,” por Jonathan Hickman y Marco Checchetto, en Amazing Fantasy #1000 (Marvel)

Mejor número auto-conclusivo

– Batman: One Bad Day: The Riddler, por Tom King y Mitch Gerads (DC)
– Mary Jane & Black Cat Beyond, por Jed Mackay y C. F. Villa (Marvel)
– Moon Knight: Black, White, and Blood #3, editado por Tom Brevoort (Marvel)
– Star Trek #400, editado por Heather Antos (IDW)
– A Vicious Circle Book 1, por Mattson Tomlin y Lee Bermejo (BOOM! Studios)

Mejor serie regular

– Daredevil, por Chip Zdarsky, Marco Checchetto y Rafael de Latorre (Marvel)
– The Department of Truth, por James Tynion IV y Martin Simmonds (Image)
– Killadelphia, por Rodney Barnes y Jason Shawn Alexander (Image)
– The Nice House on the Lake, por James Tynion IV y Alvaro Martinez Bueno (DC)
– Nightwing, por Tom Taylor y Bruno Redondo (DC)
– She-Hulk, por Rainbow Rowell, Rogê Antônio, Luca Maresca, y Takeshi Miyazawa (Marvel)

Mejor serie limitada

– Animal Castle, por Xavier Dorison y Felix Delep (Ablaze)
– Batman: One Bad Day, editado por Dave Wielgosz y Jessica Berbey (DC)
– The Human Target, por Tom King y Greg Smallwood (DC)
– Miracleman por Gaiman & Buckingham: The Silver Age, por Neil Gaiman y Mark Buckingham (Marvel)
– Superman: Space Age, por Mark Russell, Michael Allred, y Laura Allred (DC)

Mejor serie nueva

– The Atonement Bell, por Jim Ousley y Tyler B. Ruff (Red 5)
– Love Everlasting, por Tom King y Elsa Charretier (Image)
– Public Domain, por Chip Zdarsky (Image)
– Star Trek, por Collin Kelly, Jackson Lanzing y Ramon Rosanas (IDW)
– Traveling to Mars, por Mark Russell y Roberto Meli (Ablaze)

Mejor publicacion infantil (hasta 8 años)

– Beneath The Trees: A Fine Summer, por Dav (Magnetic Press)
– Fox + Chick: Up and Down: and Other Stories, por Sergio Ruzzier (Chronicle Books)
– Grumpy Monkey Who Threw That? por Suzanne Lang y Max Lang (Random House Studio)
– Hey, Bruce!: An Interactive Book, por Ryan Higgins (Disney/Hyperion)
– The Pigeon Will Ride the Roller Coaster! por Mo Willems (Union Square Kids)

Mejor publicacion infantil (9-12 años)

– Adventuregame Comics: Leviathan, por Jason Shiga (Amulet/Abrams)
– Frizzy, por Claribel A. Ortega y Rose Bousamra (First Second/Macmillan)
– Isla To Island, por Alexis Castellanos (Atheneum/Simon & Schuster)
– Little Monarchs, por Jonathan Case (Margaret Ferguson Books/Holiday House)
– Swim Team, por Johnnie Christmas (HarperAlley)

Mejor publicación juvenil (13-17 años)

– Chef’s Kiss, por Jarrett Melendez and Danica Brine (Oni)
– Clementine Book One, por Tillie Walden (Image Skybound)
– Do A Powerbomb! por Daniel Warren Johnson (Image)
– Heartstopper Volume 4, por Alice Oseman (Scholastic Graphix)
– Wash Day Diaries, por Jamila Rowser y Robyn Smith (Chronicle Books)

Mejor publicación humorística

– Cryptid Club, por Sarah Andersen (Andrews McMeel)
– I Hate This Place, por Kyle Starks y Artyom Topilin (Image Skybound)
– Killer Queens, por David Booher y Claudia Balboni (Dark Horse)
– Mr. Lovenstein Presents: Failure, por J. L. Westover (Image Skybound)
– Revenge of the Librarians, por Tom Gauld (Drawn & Quarterly)

Mejor antología

– Creepshow, editada por Alex Antone y Jon Moisan (Image Skybound)
– The Illustrated Al: The Songs of “Weird Al” Yankovic, editada por Josh Bernstein (Z2)
– The Nib Magazine, editada por Matt Bors (Nib)
– Sensory: Life on the Spectrum, editada por Bex Ollerton (Andrews McMeel)
– Tori Amos: Little Earthquakes, The Graphic Album, editada por Rantz Hoseley (Z2)

Mejor obra basada en la realidad

– Alfred Hitchcock: The Master of Suspense, por Noël Simsolo y Dominique Hé, traducida por Montana Kane (NBM)
– Alice Guy: First Lady of Film, por José-Louis Bocquet y Catel Muller, traducida por Edward Gauvin (SelfMadeHero)
– But I Live: Three Stories of Child Survivors of the Holocaust, editada por Charlotte Schallié (University of Toronto Press)
– Flung Out of Space, por Grace Ellis y Hannah Templer (Abrams ComicArts)
– Invisible Wounds: Graphic Journalism, por Jess Ruliffson (Fantagraphics)
– Pinball: A Graphic History of the Silver Ball, por Jon Chad (First Second/Macmillan)

Mejor obra autobiográfica

– Down to the Bone: A Leukemia Story, por Catherine Pioli, traducida por J. T. Mahany (Graphic Mundi/Penn State University Press)
– Ducks: Two Years in the Oil Sands, por Kate Beaton (Drawn & Quarterly)
– It’s Lonely at the Centre of the Earth: An Auto-Bio-Graphic-Novel, por Zoe Thorogood (Image)
– So Much for Love: How I Survived a Toxic Relationship, por Sophie Lambda (First Second/Macmillan)
– Welcome to St. Hell: My Trans Teen Misadventure, por Lewis Hancox (Scholastic Graphix)

Mejor álbum gráfico (nuevo)

– The Book of Niall, by Barry Jones (Ellie & Beatty)
– Crushing, by Sophie Burrows (Algonquin Young Readers)
– Francis Rothbart! The Tale of a Fastidious Feral, by Thomas Woodruff (Fantagraphics)
– The Night Eaters, Book 1: She Eats the Night, by Marjorie Liu and Sana Takeda (Abrams ComicArts)
– Ultrasound, by Conor Stechschulte (Fantagraphics)

Mejor álbum gráfico (reimpresión)

– Days of Sand, by Aimée de Jongh, translation by Christopher Bradley (SelfMadeHero)
– Geneviève Castrée: Complete Works, by Geneviève Castrée, translation by Phil Elverum and Aleshia Jensen (Drawn & Quarterly)
– Mazebook Dark Horse Direct Edition, by Jeff Lemire (Dark Horse)
– One Beautiful Spring Day, by Jim Woodring (Fantagraphics)
– Parker: The Martini Edition—Last Call, by Richard Stark, Darwyn Cooke, Ed Brubaker, and Sean Phillips (IDW)
– Super Spy Deluxe Edition, by Matt Kindt (Dark Horse)

Mejor adaptación de otro medio

– Chivalry by Neil Gaiman, adapted by Colleen Doran (Dark Horse)
– Rain by Joe Hill, adapted by David M. Booher and Zoe Thorogood (Syzygy/Image)
– Ten Days in a Madhouse, by Nellie Bly, adapted by Brad Ricca and Courtney Sieh (Gallery 13/Simon $ Schuster)
– Tori Amos: Little Earthquakes, The Graphic Album, edited by Rantz Hoseley (Z2)
– A Visit to Moscow by Rabbi Rafael Grossman, adapted by Anna Olswanger and Yevgenia Nayberg (Turner)

Mejor edición norteamericana de material internacional

– Always Never, by Jordi Lafebre, translation by Montana Kane (Dark Horse)
– Blacksad: They All Fall Down Part 1, by Juan Díaz Canales and Juanjo Guarnido, translation by Diana Schutz and Brandon Kander (Dark Horse)
– Down to the Bone: A Leukemia Story, by Catherine Pioli, translation by J. T. Mahany (Graphic Mundi/Penn State University Press)
– The Pass, by Espé, translation by J.T. Mahany (Graphic Mundi/Penn State University Press)
– Tiki: A Very Ruff Year, by David Azencot and Fred Leclerc, translation by Nanette McGuinness (Life Drawn/Humanoids)

Mejor edición norteamericana de material internacional (Asia)

– Black Paradox, by Junji Ito, translation by Jocelyne Allen (VIZ Media)
– The Hellbound vols. 1-2, by Yeon Sang-ho and Choi Gyu-seok, translation by Danny Lim (Dark Horse)
– Look Back, by Tatsuki Fujimoto, translation by Amanda Haley (VIZ Media)
– PTSD Radio vol. 1, by Masaaki Nakayama, translation by Adam Hirsch (Kodansha)
– Shuna’s Journey, by Hayao Miyazaki; translation by Alex Dudok de Wit (First Second/Macmillan)
– Talk to My Back, by Yamada Murasaki, translation by Ryan Holmberg (Drawn & Quarterly)

Mejor colección o proyecto de archivo de tiras de prensa

– Bungleton Green and the Mystic Commandos, by Jay Jackson (New York Review Comics)
– Come Over Come Over, It’s So Magic, and My Perfect Life, by Lynda Barry (Drawn & Quarterly)
– The George Herriman Library: Krazy & Ignatz 1922-1924, by George Herriman, edited by J. Michael Catron (Fantagraphics)
– Macanudo: Welcome to Elsewhere, by Liniers, edited by Gary Groth (Fantagraphics)
– Pogo The Complete Syndicated Comic Strips: Volume 8: Hijinks from the Horn of Plenty, by Walt Kelly, edited by Mark Evanier and Eric Reynolds (Fantagraphics)

Mejor colección o proyecto de archivo de tiras de cómic

– The Deluxe Gimenez: The Fourth Power & The Starr Conspiracy, by Juan Gimenez, edited by Alex Donoghue and Bruno Lesigne (Humanoids)
– The Fantastic Worlds of Frank Frazetta, edited by Dian Hansen (TASCHEN)
– Home to Stay! The Complete Ray Bradbury EC Stories, by Ray Bradbury and various; edited by J. Michael Catron (Fantagraphics)
– The Simpsons Treehouse of Horror Ominous Omnibus 1 (Abrams ComicArts)
– Walt Disney’s Uncle Scrooge: The Diamond Jubilee Collection, by Carl Barks; edited by David Gerstein (Fantagraphics)

Mejor guionista

– Grace Ellis, Flung Out of Space (Abrams ComicArts)
– Tom King, Batman: Killing Time, Batman: One Bad Day, Gotham City: Year One, The Human Target, Supergirl: Woman of Tomorrow (DC); Love Everlasting (Image)
– Mark Russell, Traveling to Mars (Ablaze), One-Star Squadron, Superman: Space Age (DC); The Incal: Psychoverse (Humanoids)
– James Tynion IV, House of Slaughter, Something Is Killing the Children, Wynd (BOOM! Studios); The Nice House on the Lake, The Sandman Universe: – – Nightmare Country (DC), The Closet, The Department of Truth (Image)
– Chip Zdarsky, Stillwater (Image Skybound); Daredevil (Marvel)

Mejor guionista/dibujante (autor completo)

– Sarah Andersen, Cryptid Club (Andrews McMeel)
– Kate Beaton, Ducks: Two Years in the Oil Sands (Drawn & Quarterly)
– Espé, The Pass (Graphic Mundi/Penn State University)
– Junji Ito, Black Paradox, The Liminal Zone (VIZ Media)
– Zoe Thorogood, It’s Lonely at the Centre of the Earth (Image)

Mejor dibujante o equipo de dibujante y entintador

– Jason Shawn Alexander, Killadelphia, Nita Hawes’ Nightmare Blog (Image)
– Alvaro Martínez Bueno, The Nice House on the Lake (DC)
– Sean Phillips, Follow Me Down, The Ghost in You (Image)
– Bruno Redondo, Nightwing (DC)
– Greg Smallwood, The Human Target (DC)

Mejor dibujante multimedia

– Lee Bermejo, A Vicious Circle (BOOM! Studios)
– Felix Delep, Animal Castle (Ablaze)
– Daria Schmitt, The Monstrous Dreams of Mr. Providence (Europe Comics)
– Sana Takeda, The Night Eaters: She Eats the Night (Abrams ComicArts); Monstress (Image)
– Zoe Thorogood, Rain (Syzygy/Image)
– Thomas Woodruff, Francis Rothbart! The Tale of a Fastidious Feral (Fantagraphics)

Mejor portadista

– Jen Bartel, She-Hulk (Marvel)
– Bruno Redondo, Nightwing (DC)
– Alex Ross, Astro City: That Was Then . . . (Image); Fantastic Four, Black Panther (Marvel)
– Sana Takeda, Monstress (Image)
– Zoe Thorogood, Joe Hill’s Rain (Syzygy/Image)

Mejor colorista

– Jordie Bellaire, The Nice House on the Lake, Suicide Squad: Blaze (DC); Antman, Miracleman by Gaiman & Buckingham: The Silver Age (Marvel)
– Jean-Francois Beaulieu, I Hate Fairyland 2022, Twig (Image)
– Dave McCaig, The Incal: Psychoverse (Humanoids)
– Jacob Phillips, Follow Me Down, The Ghost in You, That Texas Blood (Image)
– Alex Ross and Josh Johnson, The Fantastic Four: Full Circle (Abrams ComicArts)
– Diana Sousa, Critical Role: Vox Machina Origins; The Mighty Nein Origins: Yasha Nydoorin; The Mighty Nein Origins: Fjord Stone; The Mighty Nein Origins: Caleb Widogast (Dark Horse)

Mejor rotulista

– Pat Brosseau, Batman: The Knight, Wonder Woman: The Villainy of Our Fears (DC): Creepshow, Dark Ride, I Hate This Place, Skybound Presents: Afterschool (Image Skybound)
– Chris Dickey, The Night Eaters: She Eats the Night (Abrams ComicArts)
– Todd Klein, Chivalry (Dark Horse); Fables (DC); Miracleman by Gaiman & Buckingham: The Silver Age (Marvel)
– Nate Piekos, Black Hammer Reborn, Minor Threats, Shaolin Cowboy, Stranger Things: Kamchatka (Dark Horse), I Hate Fairyland, Twig (Image)
– Stan Sakai, Usagi Yojimbo (IDW)
– Thomas Woodruff, Francis Rothbart! The Tale of a Fastidious Feral (Fantagraphics)

Mejor publicación periódica o periodística relacionada con los cómics

– Alter Ego, editada por Roy Thomas (TwoMorrows)
– Comic Book Creator, editada por Jon B. Cooke (TwoMorrows)
– The Comics Journal #308, editada por Gary Groth, Kristy Valenti, y Rachel Miller (Fantagraphics)
– PanelXPanel magazine, editada por Hassan Otsmane-Elhaou y Tiffany Babb (panelxpanel.com)
– Rob Salkowitz, Forbes, ICv2, Publishers Weekly

Mejor libro relacionado con los cómics

– The Art of the News: Comics Journalism, editada por Katherine Kelp-Stebbins y Ben Saunders (Oregon State University Press)
– Charles M. Schulz: The Art and Life of the Peanuts Creator in 100 Objects, por Benjamin L. Clark y Nat Gertler (Schulz Museum)
– The Charlton Companion, por Jon B. Cooke (TwoMorrows)
– Gladys Parker: A Life in Comics, A Passion for Fashion, por Trina Robbins (Hermes Press)
– Resurrection: Comics in Post-Soviet Russia, por José Alaniz (Ohio State University Press)

Mejor libro académico/educaciónal de cómics

– Bandits, Misfits, and Superheroes: Whiteness and Its Borderlands in American Comics and Graphic Novels, por Josef Benson y Doug Singsen (University Press of Mississippi)
– Graphic Medicine, editado por Erin La Cour y Anna Poletti (University of Hawai’i’ Press)
– How Comics Travel: Publication, Translation, Radical Literacies, por Katherine Kelp-Stebbins (Ohio State University Press)
– The LGBTQ+ Comics Studies Reader: Critical Openings, Future Directions, editado por Alison Halsall y Jonathan Warren (University Press of Mississippi)
– Teaching with Comics and Graphic Novels, por Tim Smyth (Routledge)

Mejor diseño de publicación

– Francis Rothbart! The Tale of a Fastidious Feral, diseñado por Thomas Woodruff, Jacob Covey, and Ryan Dinnick (Fantagraphics)
– A Frog in the Fall (and later on), diseñado por Linnea Sterte, Olle Forsslöf, and Patrick Crotty (PEOW)
– Joan Jett & the Blackhearts 40X40: Bad Reputation/I Love Rock-n-Roll, diseñado por Josh Bernstein and Jason Ullmeyer (Z2)
– Mazebook Dark Horse Direct Edition, diseñado por Tom Muller (Dark Horse)
– Parker: The Martini Edition—Last Call, diseñado por Sean Phillips (IDW)
– Tori Amos: Little Earthquakes, The Graphic Album, diseñado por Lauryn Ipsum (Z2)

Mejor Webcomic

– Deeply Dave, por Grover, http://www.deeplydave.com/
– Delilah Dirk: Practical Defence Against Piracy, por Tony Cliff, https://www.delilahdirk.com/dd4/dd4-p46.html
– Lore Olympus/em>, por Rachel Smythe< (WEBTOON), https://ift.tt/1SbetXf
– The Mannamong, por Michael Adam Lengyel, https://mannamong.com/episode-1/
– Spores, by Joshua Barkman, https://falseknees.com/22ink1.html

Mejor cómic digital

– All Princesses Die Before Dawn, by Quentin Zuttion, traducción de M. B. Valente (Europe Comics)
– Barnstormers, por Scott Snyder y Tula Lotay (Comixology Originals)
– Behind the Curtain, por Sara del Giudice, traducción de M. B. Valente (Europe Comics)
– Ripple Effects, por Jordan Hart, Bruno Chiroleu, Justin Harder, y Shane Kadlecik (Fanbase Press)
– Sixty Years in Winter, por Ingrid Chabbert y Aimée de Jongh, traducción de Matt Madden (Europe Comics)

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